➡️ The Curse or Karna by T.P. Kailasama
Hello everyone. I am a student. This blog task is assigned by Megha Ma’am. In this blog I address two important questions.
T. P. Kailasam (1884–1946) was a pioneering Indian dramatist and the Father of Modern Kannada Drama. He reinterpreted mythological themes with a modern, human touch, highlighting social issues like caste discrimination and moral conflict. In plays such as The Curse or Karna and Fulfillment, he portrayed epic heroes as real, flawed individuals. Kailasam’s simple yet powerful style and his concern for the oppressed made his works both socially aware and deeply human.
1) Is moral conflict and Hamartia there in Karna's Character?
1. Moral Conflict in Karna
Karna’s moral struggle is one of the key elements that makes him a tragic hero.
He constantly battles between loyalty and righteousness, pride and morality.
Loyalty to Duryodhana vs. Duty to Dharma:
Even though Karna knows Duryodhana’s cause is unjust, he remains loyal to him out of gratitude. His heart tells him he is on the wrong side, yet his sense of honor and friendship binds him.
Birth Identity vs. Social Identity:
He is born a Kshatriya (warrior) but raised by a charioteer’s family. The conflict between who he is and what society allows him to be causes deep inner turmoil.
Revenge vs. Forgiveness:
Karna often oscillates between forgiving those who wronged him (like Kunti hiding the truth) and seeking revenge for being humiliated by society.
So, his moral conflict comes from being a noble man trapped in morally corrupt circumstances.
2. Hamartia (Tragic Flaw) in Karna
In classical tragic terms, hamartia means a fatal flaw that leads to the hero’s downfall.
Karna’s hamartia can be identified as:
Excessive pride and loyalty (ego mixed with gratitude):
His refusal to abandon Duryodhana, even knowing it will lead to his destruction, shows his tragic flaw. His sense of honor blinds him to moral truth.
Desire for recognition and status:
His obsession with proving himself as a true warrior despite social rejection drives many of his decisions, ultimately leading to his doom.
Fatal obedience to fate:
He accepts every curse and setback as destiny rather than trying to resist it. His passivity before fate also contributes to his fall.
Conclusion
Yes Karna’s moral conflict (between dharma and loyalty) and his hamartia (pride and rigid loyalty) together make him a true tragic hero in Kailasam’s play.
His nobility, combined with human weakness, evokes pity and fear — fulfilling Aristotle’s definition of tragedy.
2) Karna - The voice of Subaltern.
Thank you.
Be learners!!


No comments:
Post a Comment